Magic crafted for the night you’re putting on.
Corporate magic and mentalism, designed for your event. Not a stock set with your logo dropped in. You run the night and the entertainment is the part you won’t have to think about.
- Penn & Teller: Fool Us Alum
- $1M+ liability insured
- 1,000+ events
- 23 years in the industry
Penn Jillette · Penn & Teller: Fool Us · 2025
Rooms worked
A partial client list, from a dinner for eight to a ballroom of eight hundred.
Boston Bruins · Tufts University · Boston College · and rooms like yours
You’re the one who has to get this right.
The entertainment has your name on it. Book the wrong act and the guests are on their phones. While the right act makes the night unforgettable. That often feels like a real gamble (usually a blind one). You’re hiring something you’ve never seen, for a night that only happens once. My whole job is to take that risk off your plate. You tell me about the room and the audience, and I handle the rest.
The night itself
They will still be talking on Monday.
It landed on Penn & Teller: Fool Us, in front of two of the most renowned skeptics in the business. Your ballroom is a friendlier room than that.
I carry $1M (or more) in liability insurance and work from a signed contract. Every piece has a backup plan built in before I arrive.
Every show is calibrated to the room: executives, international audiences, and whoever else is on your guest list. Nothing that makes anyone uneasy while making a memorable story. That’s the whole craft.
Twenty-three years in and a thousand-plus events later, I know how to commit to my work. You’ll receive clear communication and you’ll never get pushed off to another magician.
No. Most corporate magic is the same forty minutes, swapped between gigs. I design routines specifically for your event. It’s the opposite of off the shelf.
Some nights want strolling between the tables. Some want a set on stage after dinner. Tell me how yours is built and we’ll figure out exactly how to make it unforgettable!
What booking looks like.
One message with the night and the room. I’ll confirm I’m free before anything else.
A planning call and a short creative briefing: your audience, your format, and what the night is for.
I work backwards from one question. What should this audience walk out talking about? The design comes first.
I’m there ahead of time, set up without fuss. The entertainment becomes the part you never had to think about.
From a signature set to fully bespoke.
The core set I’d trust with any room, calibrated to fit yours.
The Signature Set is the jumping off point. It gets tailored to your audience, with signature moments crafted for your event.
Written start to finish. A set or show that exists for this audience and never again.
Sales kickoffs · client appreciation · holiday galas · conferences · awards nights · product launches.
What you are buying
The part you won’t have to think about.
Most commissions land between $3,500 and $8,500. Shorter formats start at $2,500. You’ll have a clear number before you commit to anything.
Four to twelve weeks is typical. December and conference season fill earliest, so the further out you reach, the more likely your date is still open.
From eight people around a dinner table to 800 in a ballroom. Most commissions land between 40 and 250 guests, the size where craft can actually be felt.
I’m based near Boston. The Northeast corridor is included or a modest add. National dates are available on request.
Let’s check your date.
Tell me the night and the room. Within one business day you’ll know whether I’m free. If I am, we review some basic details and you’ll have a clear number before you commit to anything.
Replies within one business day. W-9, certificate of insurance, and invoicing for your finance team are all routine.
Need something to show your boss first? Get the corporate one-pager (PDF).
Planning a conference session rather than an evening? I also give a keynote. It lives on its own page.
Here for the theater show instead? Start at the main site.